Thursday, October 5, 2017

Battle of the Sexes


Writing my thesis on women who kill their abusers, I was all too aware of the tendency of those who are quick to condemn these women, along with the refuge workers who try to help them avert this outcome - as well as the much more common outcome of the murder of the abused woman - as 'man-hating feminazis', I challenged the notion that these women and the feminists like me who support them in trying to prevent and fairly punish the perpetrators of domestic violence are engaged in a 'battle of the sexes' with all men.

This concept 'battle of the sexes' I - and various other feminists before me - argued was unhelpful, as it only fed into men's characterisation and condemnation of feminist efforts to make the world a fairer place for women as a battle waged against anyone, which it is not. It is a battle for justice against injustice, which is not a person or a gender but a complex system of discrimination and dehumanisation that treats male humans, even before they are born - even before they are conceived - as superior to and more important than female humans (a fundamental, all-encompassing injustice) and in doing so directly and indirectly causes the violent abuse of girls and women that reduces the human experience for everyone.

Men wage war and fight us-versus-them battles between different groups of people, including men and women. Women - at least feminists - fight for justice, a many-sided never-ending battle without winners - yet. We are all losers in that battle right now and we will all be winners if it is ever won, a possibility that is a million miles - but hopefully not quite as many years - away, but a possibility nonetheless. 

For this reason I am not a fan of the name given to the film about Billie Jean King's life and the tennis match she played against Bobby Riggs, but I do like and highly recommend the film even so. It's a moving and telling real-life story about a great tennis champion and feminist who fought against gender discrimination in sport that should have been told in film a long time ago. That it is being finally told in 2017, forty-four years after the event, is no doubt testimony to the significant strides feminists have made in the film industry and beyond in the last few years, if not this year in particular, thanks, in large part, to Hillary Clinton.

If you have to lose the battle to win the war, as she did, then so be it, but it is nice to win some of those battles too. Thanks, Billie Jean King; you are a feminist hero indeed.





 



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